Commercials.
Spots · Product · Brand films
Broadcast and social spots, product films and brand pieces, from a single hero shot to a full campaign.
- 15, 30 and 60 second spots
- Product and packshot films
- Cutdowns for every platform
RECSC. 1TK. 1
24 FPS · 2.39 : 1
Any shot you can describe.
No crew. No set. No studio budget.
Ghost Unit is an AI film studio. We make commercials, effects shots and full productions, frame by frame, to a director’s standard.
SC. 2 — The work
Launch spot · 60 s
Again.
Our launch spot had no crew, no set and no location. The Director kept saying one word until the shot was right. Every frame below is from that spot.
A wave takes the city.
The script, as written
Make it 1890.
Period street, gas lamps, carriages
Put a whale in it.
One sentence, one creature
Print it.
Tidemark is a spec brand made for the spot
SC. 3 — Samples
Two up · more in the edit
The reel.
Two samples are up. More are in the edit. Every frame and every sound was made by Ghost Unit.
SC. 4 — Services
Commercials · Effects · Features
Three ways to work with us.
Bring a finished script, a rough idea or one shot your budget cut. We start from wherever you are.
Effects.
VFX and insert shots for TV and film
The shot the schedule or the budget cut. We build it to match your footage and hand it to your editor.
- Insert shots and pickups
- Set extensions and period streets
- Creatures, weather and crowds
Features.
Full productions, script to screen
Shorts, episodes, music videos and features, written, cast, rendered and finished under one roof.
- Story development and scripts
- Character and world design
- Edit, sound and finishing
SC. 5 — Process
Brief to delivery
How a shot gets made.
You approve every stage before the next one starts, so nothing moves until it looks right.
01
The brief.
“A wave takes the city.”
Describe the shot. One sentence is enough to start.
02
The look.
“Make it 1890.”
We cast the characters and build the world as stills. You sign off before anything moves.
03
The takes.
“Again.”
We render, review and go again until the shot holds up on a big screen.
04
The finish.
“Print it.”
Edit, sound and grade, delivered in the formats you need.
SC. 6 — Founders
Behind the chair
Two cutting rooms. One studio.
Ghost Unit is editor-led. Between us, forty years of studio features and network television, and we know what a shot costs the old way.
Co-founder · Editor & AI filmmaker
Dave Cory.
Dave is a feature film editor with 20 years in studio filmmaking, most of it as a first assistant and associate editor on some of the biggest tentpoles of the last decade. Now he brings that cutting-room instinct to AI filmmaking, and teaches it to other editors through The Frame, his community for working editors.
Past work includes Captain America: Brave New World, Avengers: Endgame, Aquaman, Black Widow, Thor: Love and Thunder, Star Trek Beyond, Furious 7, Fast Five, Overlord and Despicable Me 2.
Co-founder · Producer & director
Michael Lutz.
Michael is an Emmy-nominated producer, showrunner and DGA director with more than 20 years in network, cable and streaming television and thousands of hours logged in edit bays. He created and executive produced Netflix's Car Masters: Rust to Riches, and he founded the LA content studio Monarch Hill Productions.
Past work includes Car Masters: Rust to Riches (Netflix, creator and executive producer), The Flying Fercos (director and executive producer), Dr. Phil (segment producer and director) and The Jeff Probst Show.
SC. 7 — Contact
Call sheet
Told you can’t afford the shot?
Call Ghost Unit.
Tell us what you need to see on screen. We reply with how we’d make it, how long it takes and what it costs.
Or email hello@theghostunit.com